HowTo Play

Ep 31 play from TheMaryJaneStyle on Vimeo.

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Today’s post is just for fun… Why Life as a grown up can become stressful and overwhelming even if you strive for a centered healthy life… Pure foods regular exercise and mental balance. as a Artist self employment glimpses of success snowballed with a ton of work and humbling efforts if you get overwhelmed and let the negativity consume you that will take away your opportunities to continue in your life’s path… so take the time to stay happy and content, it could be a hike or quick trip to the beach, any event that takes you to your peaceful realm… some artists thrive on different emotions, to suffer is not mandatory for art, that path will hurt more than help in the bigger picture, unless you can balance. This misery Is a illusion or a mental crutch. i have witnessed more failure from self induced sabotage from sickness that only the individual could control… enough of Life’s turmoils … Take the time to feel good and play in whatever way you like … Have Fun (in a simple healthy way) this will add years to your life and enrich all other humans you come into contact with…

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objects or materials to combine into a art piece… in today’s world it could be done in your phone or on a computer or pad… Maybe A collage is not your Cup-O-Tea … doodling writing or music is your thing but please for the greater good of the global consciousness play to keep you fresh happy and full of life…

 

 

 
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“HowTo” A Story! TMJS ep25

HowTo-A Story…

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Act 1 establishing the characters & the world they live in as well as the chalenges they will face.(the more bizarre the world the more explanation needed.Act 1 ends with the protagonist accepting the challenges presented in Act1. + 5W’S

1.who =A character is a person in a narrative work of arts (such as a novel, play, television series or film). Or a intertaining or capitivating individual

2.what = A Story is communication, The history of communication dates back to prehistory, with significant changes in technologies evolving in tandem with shifts in political and economic systems, by extension, systems of power. Communication can range from very subtle processes of exchange, to full conversations and mass communication. Human communication was revolutionized with speech approximately 100,000 years ago. Symbols were developed about 30,000 years ago, and writing about 5000 years ago.

3.when & 4.where = time and geographic location in which a story takes place, and helps initiate the main backdrop and mood for a story. Setting has been referred to as story world or milieu to include a context (especially society) beyond the immediate surroundings of the story. Elements of setting may include culture, historical period, geography, and hour.

5.why = A Story is communication, The history of communication dates back to prehistory, with significant changes in technologies evolving in tandem with shifts in political and economic systems, by extension, systems of power. Communication can range from very subtle processes of exchange, to full conversations and mass communication. Human communication was revolutionized with speech approximately 100,000 years ago. Symbols were developed about 30,000 years ago, and writing about 5000 years ago.

Act 2 referred to as “rising action”, typically depicts the protagonist’s attempt to resolve the problem initiated by the first turning point, only to find him- or herself in ever worsening situations. Part of the reason protagonists seem unable to resolve their problems is because they do not yet have the skills to deal with the forces of antagonism that confront them. They must not only learn new skills but arrive at a higher sense of awareness of who they are and what they are capable of, in order to deal with their predicament, which in turn changes who they are. This is referred to as character development or a character arc. This cannot be achieved alone and they are usually aided and abetted by mentors and co-protagonists.

Act 3 features the resolution of the story and its subplots. The climax is the scene or sequence in which the main tensions of the story are brought to their most intense point and the dramatic question answered, leaving the protagonist and other characters with a new sense of who they really are.

History of Story’s
In spoken language analysis an utterance is a smallest unit of speech. It is a continuous piece of speech beginning and ending with a clear pause. In the case of oral languages, it is generally but not always bounded by silence. Utterances do not exist in written language, only their representations do. It can be represented and delineated in written language in many ways. Cuneiform script is one of the earliest known systems of writing,distinguished by its wedge-shaped marks on clay tablets, made by means of a blunt reed for a stylus. and came into English usage probably from Old French cunéiforme.
Wrihting is a large part of comunication. The early writing systems that emerged in Eurasia in the early 3rd millennium BC was not a sudden invention. Rather, it was a development based on earlier traditions of symbol systems. These systems may be described as proto-writing. They used ideographic or early mnemonic symbols to convey information yet were probably devoid of direct linguistic content. These systems emerged in the early Neolithic period, as early as the 7th millennium BC.

Proto-writing was The 1st. form of comunication after speaking.Tortoise shells were found in 24 Neolithic graves excavated at Jiahu, Henan province, northern China, with radiocarbon dates from the 7th millennium BC. According to some archaeologists, the symbols carved on the shells had similarities to the late 2nd millennium BC oracle bone script.The Vinča signs, found during excavations in Vinča, a suburb of Belgrade (Serbia), an evolution of simple symbols beginning in the 7th millennium BC, gradually increasing in complexity throughout the 6th millennium and culminating in the Tărtăria tablets of ca. 5300 BC with their rows of symbols carefully aligned, evoking the impression of a “text”.The Dispilio Tablet of the late 6th millennium is similar. The hieroglyphic scripts of the Ancient Near East seamlessly emerge from such symbol systems, so that it is difficult to say at what point precisely writing emerges from proto-writing. Adding to this difficulty is the fact that very little is known about the symbols’ meanings.

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The transition from proto-writing to the earliest fully developed writing systems took place in the late 4th to early 3rd millennium BC in the Fertile Crescent. The Kish tablet, dated to 3500 BC, reflects the stage of “proto-cuneiform”, when what would become the cuneiform script of Sumer was still in the proto-writing stage. By the end of the 4th millennium BC, this symbol system had evolved into a method of keeping accounts, using a round-shaped stylus impressed into soft clay at different angles for recording numbers. This was gradually augmented with pictographic writing using a sharp stylus to indicate what was being counted. The transitional stage to a writing system proper takes place in the Jemdet Nasr period (31st to 30th centuries BC). A similar development took place in the genesis of the Egyptian hieroglyphs. Various scholars believe that Egyptian hieroglyphs “came into existence a little after Sumerian script, and invented under the influence of the latter although it is pointed out a development of writing in Egypt
the Bronze Age, the cultures of the Ancient Near East had fully developed writing systems, while the marginal territories affected by the Bronze Age, viz. Europe, India and China, remained in the stage of proto-writing.

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The Chinese script emerges from proto-writing in the Chinese Bronze Age, during about the 14th to 11th centuries BC (Oracle bone script), while symbol systems native to Europe and India are extinct and replaced by descendants of the Semitic abjad during the Iron Age.
Typical “Indus script” seal impression showing an “inscription” of five characters.
The so-called Indus script is a symbol system used during the 3rd millennium BC in the Indus Valley Civilization.
With the exception of the Aegean, the early writing systems of the Near East did not reach Bronze Age Europe. The earliest writing systems of Europe arise in the Iron Age, derived from the Phoenician alphabet.

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The “Slavic runes” (7th/8th century) mentioned by a few medieval authors may have been such a system. The Quipu of the Incas (15th century), sometimes called “talking knots”, may have been of a similar nature. Another example is the system of pictographs invented by Uyaquk before the development of the Yugtun syllabary (ca. 1900).
Nsibidi is a system of symbols indigenous to what is now southeastern Nigeria. While there remains no commonly accepted exact date of origin, most researchers agree that use of the symbols date back well before 500 CE. There are thousands of Nsibidi symbols which were used on anything from calabashes to tattoos and to wall designs. Nsibidi is used for the Ekoid and Igboid languages, and the Aro people are known to write Nsibidi messages on the bodies of their messengers.

Storytelling is the conveying of events in words, and images, often by improvisation or embellishment. Stories or narratives have been shared in every culture as a means of entertainment, education, cultural preservation, and instilling moral values. Crucial elements of stories and storytelling include plot, characters, and narrative point of view. Storytelling predates writing, with the earliest forms of storytelling usually oral combined with gestures and expressions. In addition to being part of religious ritual, rock art may have served as a form of storytelling for many ancient cultures. The Australian aboriginal people painted symbols from stories on cave walls as a means of helping the storyteller remember the story. The story was then told using a combination of oral narrative, music, rock art, and dance, which bring understanding and meaning of human existence through remembrance and enactment of stories. People have used the carved trunks of living trees and ephemeral media to record stories in pictures or with writing. Complex forms of tattooing may also represent stories, with information about genealogy, affiliation, and social status.
With the advent of writing and the use of, portable media, stories were recorded, transcribed, and shared over wide regions of the world. Stories have been carved, scratched, painted, printed or inked onto wood or bamboo, ivory and other bones, pottery, clay tablets, stone, palm-leaf books, skins, bark cloth, paper, silk, canvas, and other textiles, recorded on film, and stored electronically in digital form. Oral stories continue to be committed to memory and passed from generation to generation, despite the increasing popularity of written and televised media in much of the world.

Eliments of a story
1 Plot is a literary term defined as the events that make up a story, as they relate to one another in a pattern, in a sequence, through cause and effect, One is generally interested in how well this pattern of events accomplishes some artistic or emotional effect. A complicated plot is called an imbroglio, but even the simplest statements of plot may include multiple inferences, as in traditional ballads.In other words, a plot is the gist of a story, and composed of causal events, which means a series of sentences linked by “and so.” A plot highlights all the important points and the line of a story.
2 a character requires an analysis of its relations with all of the other characters in the work. The individual status of a character is defined through the network of oppositions (proairetic, pragmatic, linguistic, proxemic) that it forms with the other characters.The relation between characters and the action of the story shifts historically, often miming shifts in society and its ideas about human individuality, self-determination, and the social order.
3 A narrator is either a personal character or a non-personal voice or images created by the author to deliver information to the audience about the plot and/or other information. something that merely relates the story to the audience without being involved in the actual events. Some stories have multiple narrators to illustrate the story-lines of various characters at the same, similar, or different times, thus allowing a more complex, non-singular point of view.
4 medium or Media are the collective communication outlets or tools that are used to store and deliver information or data.It is either associated with communication media, or the specialized communication businesses such as: print media and the press, photography, advertising, cinema, broadcasting (radio,television or the internet), and/or publishing.

Types of storys
Fiction is the form of any narrative that deals, in part or in whole, with information or events that are not real, but rather, imaginary—that is, invented by the author. Although the term fiction refers in particular to written stories such as novels and short stories, it may also refer to the theatre , film, television, poetry and song. Fiction contrasts with non-fiction, which deals exclusively with factual or, at least, assumed factual events, descriptions, observations.
Non-fiction, is a narrative that strictly presents presumably real-life events, established facts, and true information. The authors of such accounts believe them to be truthful at the time of their composition or, at least, pose them to a convinced audience as historically or empirically true. Reporting the beliefs of others in a non-fiction format is not necessarily an endorsement of the ultimate veracity of those beliefs, it is simply saying it is true that people believe them Non-fiction can also be written about fiction, giving information about these other works. Non-fiction need not necessarily be written text, since pictures and film can also purport to present a factual account of a subject.
Traditional stories, or stories about traditions, differ from both fiction and nonfiction in that the importance of transmitting the story’s worldview is generally understood to transcend an immediate need to establish its categorization as imaginary or factual. In the academic circles of literature, religion, history, and anthropology, categories of traditional story are important terminology to identify and interpret stories more precisely. Some stories belong in multiple categories and some stories do not fit into any category.
A fairy tale typically features European folkloric fantasy characters, such as dwarves, elves, fairies, giants, gnomes, goblins, mermaids, trolls, or witches, and usually magic or enchantments. Fairy tales may be distinguished from other folk narratives such as legends and explicitly moral tales, including beast fables.
the term is also used to describe something blessed with unusual happiness, as in “fairy tale ending” or “fairy tale romance” . Colloquially, a “fairy tale” or “fairy story” can also mean any farfetched story or tall tale; it is used especially of any story that not only is not true, but could not possibly be true. Legends are perceived as real; fairy tales may merge into legends, where the narrative is perceived both by teller and hearers as being grounded in historical truth. However, unlike legends and epics, they usually do not contain more than superficial references to religion and actual places, people, and events; they take place once upon a time rather than in actual times.
Folklore consists of legends, music, oral history, proverbs, jokes, popular beliefs, fairy tales, stories, tall tales, and customs included in the traditions of a culture, subculture, or group. It also includes the set of practices through which those expressive genres are shared.
Mythology can refer either to the collected myths of a group of people—their body of stories which they tell to explain nature, history, and customs—or to the study of such myths.As a collection of such stories, mythology is an important feature of every culture. Various origins for myths have been proposed, ranging from personification of natural phenomena to truthful or hyperbolic accounts of historical events, to explanations of existing ritual. Although the term is complicated by its implicit condescension, mythologizing is not just an ancient or primitive practice, as shown by contemporary mythopoeia such as urban legends and the expansive fictional mythoi created by fantasy novels and Japanese manga. A culture’s collective mythology helps convey belonging, shared and religious experience, behavioral models, and moral and practical lessons.
A legend, “things to be read” is a narrative of human actions that are perceived both by teller and listeners to take place within human history and to possess certain qualities that give the tale verisimilitude. Legend, for its active and passive participants includes no happenings that are outside the realm of “possibility”, as that is defined by a highly flexible set of parameters, which may include miracles that are perceived as actually having happened within the specific tradition of indoctrination where the legend arises, and within which tradition it may be transformed over time, in order to keep it fresh and vital, and realistic. Many legends operate within the realm of uncertainty, never being entirely believed by the participants, but also never being resolutely doubted.
Fable is a literary genre. A fable is a succinct fictional story, in prose or verse, that features animals, mythical creatures, plants, inanimate objects or forces of nature which are anthropomorphized (given human qualities such as verbal communication), and that illustrates or leads to an interpretation of a moral lesson (a “moral”), which may at the end be added explicitly in a pithy maxim.

Write or Draw to start your creation …
A storyboard is a graphic organizer in the form of illustrations or images displayed in sequence for the purpose of pre-visualizing a motion picture, animation, motion graphic or interactive media sequence. The storyboarding process, in the form it is known today, was developed at Walt Disney Productions during the early 1930s, after several years of similar processes being in use at Walt Disney and other animation studios.

A plot outline Points
•The teaser. This is a scene that pulls the reader in, preferably an action scene.
•Exposition/Background. Where is the setting? Who are the characters? This tells necessary information in order to follow along with the story.
•The conflict. Character(s) presented with a problem.
•Rising Action. The suspense grows, and the problems take the Ripple Effect into new problems, which, in turn, cause conflict for your character.
•Suspense. Right before the climactic scene. These are the events that lead up to the climax, which are crucial to make the story flow.
•Climax. Here is the scene where all of the problems blow up in one event, where your character is in the worst trouble. This is usually only a single event.
•Winding Down. Your character recovers from the incident in the climax, and things smooth out slightly. There are still problems but your character has recovered.
•Falling Action. All of the problems are untied, things settle in, and your character feels back to normal but usually impacted from the events that occurred.
•Resolution. A scene like an epilogue, that tells what your character is going through or will be going through in the future, and how they feel.
•End teaser (for series writers). Just like the teaser, but makes the reader want to read the next novel.
Fill in each plot point, and from there you are good.


New Fun of “The Digital Age”is you can just shoot and form the story in edditing or use Documentry style documentation to present numerious mediums usefull in art or education.

A Vintage Hat for the Holidays


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images-62 images-64 A disgraceful act to venture out of the house without a hat or even gloves. One record tells of a young lady venturing out to post a letter without her hat and gloves and being severely reprimanded for not being appropriately dressed. The post box was situated a few yards from her front garden gate. TMJS 24 Vintage Hat



Etiquette and formality have played their part in hat wearing.  At the turn of the 20th century in 1900, both men and women changed their hats dependant on their activity, but for many ladies of some social standing it would be several times a day.

   For hats, bearing in mind that hair was often pinned up, the popular style of hat wear were bonnets and fascinators, something you could pin on to your victory roll. Berets were also popular during the war.

    The snood – made popular by Vivien Leigh, would also create a nice 1940s war look effect to finish off your hairstyle. Just wearing a simple black beret with rolled hair can really give you that 1940s look.

 

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Plumassiers

Running parallel to these hat making arts were feather workshops or more correctly workshops called plumassiers where feathers were dyed and made into arrangements from boas to aigrettes to tufts and sprays for both the worlds of fashion and interiors.  Plumes have always been a status symbol and sign of economic stability.

Fortunes were paid by rich individuals for exotic feathered hats.  Gorgeous feathered hats could command as much as £100 in the early Edwardian era.  The Edwardians were masters in the art of excess and the flamboyant hats of the era are a clear example of this.

At one point whole stuffed birds were used to decorate hats, but as the new more enlightened century emerged, protests were voiced.  In America the Audubon society expressed concern and in England the RSPB (Royal Society for the Protection of Birds) campaigned for ecological understanding.

Eventually plumage pleas were heard and Queen Alexandra forbad the wearing of rare osprey feathers at court so that the osprey bird was not plundered for feathers.  For a few years magazines quietly ignored making reference to feathers on hats as women continued to wear them.  But soon the use of other rare bird feathers was banned and thereafter only farmed feathers could be used and only from specific birds.


For A Gentleman

Fun Hat 1940’s

A fashion report in Los Angeles Times from 1895 called the use of mendiant the “newest trimming” for hats, and noted that hats were “tipped far over the eyes”. The Chicago Tribune reported on fruit ribbons, along with feathers, flowers, and frills, as trim for Easter hats. A report on artificial fruit used on hats was in a 1918 edition of the New York Times. Fruit and vegetable trim on “gay hats” featured in the first millinery show of the season at New York’s Saks Fifth Avenue in 1941, and overshadowed flowers. Mendicant is a traditional French confection usually prepared during the Christmas season, and composed of a chocolate disk studded with nuts and dried fruits representing the four mendicant or monastic orders of the Dominicans, Augustinians, Franciscans and Carmelites, where the color of the nuts and dried fruits is used refer to the color of monastic robes. Tradition dictates that raisins are used for the Dominicans, hazelnut for the Augustins, dried fig for Franciscans and almond for Carmelite. Lil Picard, a millinery designer for the custom-made department of Bloomingdale’s, sought inspiration from nature for her hats and while on vacation “listening to the birds, gazing through the lacy outlines of foliage and watching the ripening fruits, she dreamed of trimmings.”

HowTo Professionally Play Well With Others

Ep 19 TheMaryJaneStyle from TheMaryJaneStyle on Vimeo.

PROFESSIONAL ETIQUETTE GUIDE & HowTo NOT…

Manners are made up of trivialities of deportment which can be easily learned if one does not happen to know them; manner is personality—the outward manifestation of one’s innate character and attitude toward life…. Etiquette must, if it is to be of more than trifling use, include ethics as well as manners.

Certainly what one is, is of far greater importance than what one appears to be. -Emily Post

! Tips and tricks ”
Initiating Contact
1. Try to have a mutual acquaintance introduce you; builds your credibility
2. Aim for an in-person conversation rather than email exchange
3. In-person is most intimate, phone is moderate, and email is least personal
4. Seek to build a two-way relationship, rather than just ask for things

Email, voicemail, thank you notes
1. Keep emails brief; bullets are great for busy professionals; limit formatting since many professionals read emails on Blackberries (which destroys formatting)
2. Proof-read messages; spelling errors are a bad first impression
3. Be sure your contact information is included in every message
4. In voicemail, state your name clearly, reason for calling, what you would like the recipient to do, and how the action with benefit both parties
5. Send thank you notes with in 48 hours; write neatly on simple stationary, refer to specifics – an idea, conversation, or gift

Networking basics
1. Shake hands firmly; introduce yourself to most senior person in a group
2. Wear nametags on the right (when you extend to shake with right hand, it’s natural to look at the right side of their body.)
3. Introduce your acquaintances with thoughtful details
4. In conversation, listen more than speak; remember and use the speaker’s name
5. Focus on conversation; avoid wandering eyes or looking at guests or cell phone
6. Make a crisp but polite conclusion: “It has been a pleasure speaking with you.”
Meetings
1. Always show up on time, minimize distractions (computers, Blackberries)
2. Prepare materials beforehand 3. When leading a meeting: distribute an agenda, balance airtime (let everyone participate), conclude with clear to-dos and deadlines

Public address introductions
1. Never “wing” an introduction; request a biography of the speaker before hand. Good delivery of introduction is the best way to demonstrate your respect and appreciation.
2. If you tailor the introduction, review it with the speaker
3. Avoid humor, unless you are a) funny, b) situation calls for it, c) all will be comfortable
4. Avoid modesty; you are the speaker’s best chance to build credibility while maintaining humility. Share all the relevant accomplishments; make the audience want to listen!

Senior Presence
What is senior presence?
1. Some people in a room appear to be senior: they are mature, professional, responsible, authoritative (you can just tell they’re important)
2. Easy to identify by subtle signs
3. People who appear senior get more opportunities
4. Young professionals can learn to appear senior

Tips for senior presence
1. Appearance: Dress like the most senior person you regularly see, maintain good posture, smile easily, but not too often
2. Persona: Observe proper etiquette, maintain eye contact, don’t be afraid to disagree (confront difficult questions directly), and appear calm and controlled. Poise and maturity are displayed by not following the crowd meekly; share your idea if it’s contrary.
3. When speaking: Be clear and concise, avoid fillers (um, like), set the context for audience, use analogies and analysis, prepare a speech beforehand

Now HowTo NOT…
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1. Pushing in front of people
This indicates that you think your time is more important than other people. This is ultimately important in a live event ,show, or a public photo situation Don’t Block or Pull Focus This also counts on the road, on pavements, at the supermarket and in lines at the checkout. Letting others go ahead of you makes them feel special and that you are a person who cares. It’s such a little courtesy to extend to someone, and yet in today’s’ culture we are often made to feel that if we don’t trample over others, we’ll never get ahead. This is simply not true. Letting someone go ahead of you is a free way to make yourself feel great. Give it a try. Your heart will glow.

2. Being impatient
When things take longer than expected, some get angry. Sometimes we just have to wait for things to go our way, and sometimes the things we are waiting for never arrive. Never Rush a planned performance or talk down to cast members. some find this very hard to do, but when you are getting impatient, it pays to breathe deeply, relax your shoulders and concentrate on the internal emotions you are feeling inside, and try to let them wash over you like a wave, without reacting to your emotions in a negative way.

3. Talking too loudly
when others are speaking or on public transport, at cafes. in the office and I like it drives people nuts. I have a loud, clear voice that can be heard even when I am not yelling. I need to make more of an effort to respect the space of those in my general vicinity. No one wants to hear everything I have to say, despite the fact that I find myself so interesting.

4. Forgetting to say please and thank you
this piece of etiquette advice, can be forgiven every now and then, forgetting to say please and thank you. It’s one of the first things ever taught. In some situations a power play of the one in control never has to say please and thank you to remain in charge (these people have serious issues CAUTION)

5. Talking endlessly about yourself
Yes, we all need to share sometimes, but there comes a point where we have to say ‘enough is enough’. I like to talk about myself, in fact, we all do. However, it should be the other people in the room that you are trying to get to know. So shut up for once.

6. Not listening to other people
You know the friend whose eyes glaze over whenever the conversation drifts off them? These are the worst types of people to know. One of the most valuable things you can do for people is to LISTEN to them! This is more valuable than anything else, don’t you think?

7. Interrupting
Sometimes people think they just can’t seem to wait to get the point across they will talk fast in longwinded story’s hard to follow and rambling to say “LOOK AT ME” this is a good time to interrupt – I just have to interrupt what you are saying to talk over the top of you. This is simply rude and can be avoided –share a conversation is only good if everyone is sharing in a nice flow it might take practice but it shows respect friendship and that your intelligent!


LOVE How To Puppet Show Valentine Special


My Happy Valentines Day Puppet Show!!!

Video Part 1 includes
The Basic Elements of A Puppet Show

First : A Script/Text, Scenario, Plan:

This is the starting point of the Puppet Show theatrical performance. The element most often considered as the domain of the playwright in Puppet Show theatre.
The Puppet Show playwright’s script is the text by which theatre is created.
It can be simplistic, as in the 16th century, with the scenarios used by the acting troupes of the Commedia dell’ arte,
or it can be elaborate, such as the works of William Shakespeare. The script, scenario, or plan is what the director uses as a blue print to build a Puppet Show production from.

The Process for A Puppet Show:

This is the coordination of the creative efforts usually headed up in Puppet Show theatre by the Puppet Show director.
It is the pure process by which the Puppet Show playwright’s work is brought to realization by the Puppet Show director,
actors, designers, technicians, dancers, musicians, and any other collaborators that come together on the script, scenario, or plan.
This is the works in progress stage of the Puppet Show.

The Product:A Puppet Show

This is the end result of the process of work involved in the Puppet Show.
The final product Puppet Show that results from all of the labors coming together to complete the finished work of Puppet Show script, scenario, and plan,
in union with all of the collaborators in the Puppet Show process to create the final product.
This is what the audience will witness as they sit in the Puppet Show theatre and view the work.

The Audience:

Puppet Show Theatre requires an audience.
For all of the arts public is essential.
The physical presence of an audience can change a Puppet Show performance, inspire actors, and create expectations.
Puppet Show Theatre is a living breathing art form. The presence of live Puppet Show actors on the stage in front of live Puppet Show audiences sets it apart from modern day films and television.

Let us now look to the person who is responsible for the starting point of the Puppet Show theatrical event. The initial Puppet Show creator of the script, scenario, or plan, as outlined above.
This person is the Puppet Show playwright. A Puppet Show playwright works in that branch of literature dealing with the writing and producing of Puppet Show plays for the Puppet Show theatre.
The literary composition that is written specifically for the Puppet Show stage in play format by the Puppet Show playwright.

The Puppet Show Playwright
The basic steps involved in the development of Puppet Show drama include:

1. Coming up with Puppet Show Thought/Theme/Ideas to be expressed through the work.

2. Determine the Genre and Style of the Puppet Show work

3. Outlining Basic Action of the Puppet Show work and Creating Plot.

4. Establish the Structure of the Puppet Show Play and Overall Framework

5. The Development of Characters presented in the Puppet Show work.

6. The Creation of Dialogue and the Language of the Puppet Show Characters.

7. Creating Puppet Show Music: This can involve the Rhythm of the Language or actual Music Composition and the Lyrics of the Puppet Show songs.

8. Establishing Puppet Show Spectacle: The visual and Environmental elements of the Puppet Show work.

9. Research of Subject Matter and Relevant issues presented in the Puppet Show play.

1. Puppet Show Thought/Theme/Ideas

What the Puppet Show play means as opposed to what happens (the plot).
Sometimes the theme is clearly stated in the Puppet Show title. It may be stated through Puppet Show dialogue by a Puppet Show character acting as the Puppet Show playwright’s voice.
Or it may be the Puppet Show theme is less obvious and emerges only after some study or thought.
The Puppet Show abstract issues and feelings that grow out of the Puppet Show dramatic action.

2. Puppet Show Action/Plot

The events of a Puppet Show play; the Puppet Show story as opposed to the Puppet Show theme; what happens rather than what it means.
The Puppet Show plot must have some sort of unity and clarity by setting up a Puppet Show pattern by which each action initiating the next rather than standing alone without connection to what came before it or what follows.
In the Puppet Show plot of a Puppet Show play, Puppet Show characters are involved in conflict that has a pattern of movement. The action and movement in the Puppet Show play begins from the initial entanglement,
through rising action, climax, and falling action to Puppet Show resolution.

3. Puppet Show Characters

These are the Puppet Show people presented in the Puppet Show play that are involved in the perusing the Puppet Show plot. Each Puppet Show character should have their own distinct personality, age, appearance, beliefs,
socio economic background, and language.

4. Puppet Show Language

The Puppet Show word choices made by the Puppet Show playwright and the enunciation of the actors of the language. Puppet Show Language and dialog delivered by the Puppet Show characters moves the Puppet Show plot and action along,
provides the Puppet Show exposition, defines the distinct Puppet Show characters. Each Puppet Show playwright can create their own specific Puppet Show style in relationship to language choices they use in establishing Puppet Show
character and dialogue.

5. Puppet Show Music

Puppet Show Music can encompass the rhythm of dialogue and speeches in a Puppet Show play or can also mean the aspects of the melody and music compositions as with musical Puppet Show theatre.
Each Puppet Show theatrical presentation delivers music, rhythm and melody in its own distinctive manner. Puppet Show Music is not a part of every Puppet Show play. But, Puppet Show music can be included to mean all sounds in a
Puppet Show production. Puppet Show Music can expand to all sound effects, the Puppet Show actor’s voices, songs, and instrumental music played as underscore in a Puppet Show play. Puppet Show Music creates patterns and establishes
tempo in Puppet Show theatre. In the aspects of the Puppet Show musical the Puppet Show songs are used to push the Puppet Show plot forward and move the Puppet Show story to a higher level of intensity. Puppet Show Composers and
lyricist work together with Puppet Show playwrights to strengthen the themes and ideas of the Puppet Show play. Puppet Show Character’s wants and desires can be strengthened for the audience through Puppet Show lyrics and music.

6. Puppet Show Spectacle

Puppet Show Point of Attack

The moment of the Puppet Show play at which the main action of the Puppet Show plot begins. This may occur in the first scene of the Puppet Show , or it may occur after several scenes of exposition.
The point of attack is the main Puppet Show action by which all others will arise. It is the point at which the main Puppet Show complication is introduced. Puppet Show Point of attack can sometimes works
hand in hand with a Puppet Show’s inciting incident, which is the first incident leading to the rising action of the Puppet Show . Sometimes the inciting incident is an event that occurred somewhere in the Puppet Show character’s
past and is revealed to the Puppet Show audience through exposition.

Puppet Show Exposition

Puppet Show Exposition is important information that the Puppet Show audience needs to know in order to follow the Puppet Show main story line of the Puppet Show play. It is the aspects of the Puppet Show story that the Puppet Show
audience may hear about but that they will not witness in actual Puppet Show scenes. It encompasses the past actions of the Puppet Show characters before the Puppet Show play’s opening Puppet Show scenes progress.

Puppet Show Rising Action

Puppet Show Rising action is the section of the Puppet Show plot beginning with the point of attack and/or inciting Puppet Show incident and proceeding forward to the crisis onto the Puppet Show climax. The action of the Puppet Show
will rise as it set up a situation of increasing intensity and anticipation. These Puppet Show scenes make up the body of the Puppet Show and usually create a sense of continuous mounting suspense in the Puppet Show audience.

The Puppet Show Climax/Crisis

All of the earlier scenes and actions in a Puppet Show will build technically to the highest level of dramatic intensity. This section of the Puppet Show is generally referred to as the moment of the Puppet Show climax.
This is the moment where the major dramatic Puppet Show questions rise to the highest level, the mystery hits the unraveling point, and the Puppet Show culprits are revealed. This should be the point of the highest Puppet Show stage
of dramatic intensity in the action of the Puppet Show . The whole combined actions of the Puppet Show generally lead up to this moment.

Puppet Show Resolution/Obligatory Puppet Show Scene

The Puppet Show resolution is the moment of the Puppet Show in which the Puppet Show conflicts are resolved. It is the solution to the conflict in the Puppet Show , the answer to the Puppet Show mystery, and the clearing up of the
final details. This is the Puppet Show scene that answers the questions raised earlier in the Puppet Show. In this Puppet Show scene the methods and motives are revealed to the Puppet Show audience.

The Puppet Show spectacle in the Puppet Show theatre can involve all of the aspects of Puppet Show scenery, costumes, and special effects in a Puppet Show production. The visual elements of the Puppet Show created for the Puppet Show
theatrical event. The qualities determined by the Puppet Show playwright that create the world and atmosphere of the Puppet Show play for the Puppet Show audience’s eye.

Climatic Puppet Show Structure

I. Puppet Show Plot begins late in story, closer to the very end or climax

II. Covers a short space of time, perhaps a few hours, or at most a few days

III. Contains a few solid, extended Puppet Show scenes, such as three acts with each act comprising one long scene

IV. Puppet Show Occurs in a restricted locale, one room or one house

V. Number of Puppet Show characters is severely limited, usually not more than six or eight

VI. Puppet Show Plot in linear and moves in a single line with few subplots or counter plots

VII. Line of Puppet Show action proceeds in a cause and effect chain. The Puppet Show characters and events are closely linked in a sequence of logical, almost inevitable development

Episodic Puppet Show Structure

I. Puppet Show Plot begins relatively early in the Puppet Show story and moves through a series of episodes

II. Puppet Show Covers a longer period of time: weeks, months, and sometimes years

III. Many short, fragmented scenes; sometimes an alternation of short and long scenes

IV. Puppet Show May range over an entire city or even several countries

V. Profusion of Puppet Show characters, sometimes several dozen

VI. Frequently marked by several threads of Puppet Show action, such as two parallel plots, or scenes of comic relief in a serous Puppet Show

VII. Puppet Show Scenes are juxtaposed tone to one another. An event may result from several causes, or no apparent cause, but arises in a network or web of Puppet Show circumstances

Puppet Show Conclusion

Artistic consideration in the Puppet Show playwriting requires selection and arrangement. Puppet Show Art is skill acquired by experience, study, and clear observations.
Puppet Show Playwrights must consciously set about making choices with a competent plan and creative imagination. Only then than we consider the Puppet Show playwrights work as a viable start to the Puppet Show theatrical process.
Before anyone begins to write a Puppet Show it is important to understand the medium for which you intend on writing. Writing for the Puppet Show stage demands an understanding of two fundamentals:
the essence of Puppet Show drama and the nature of Puppet Show theatre.

Video 2 :The Example… A Valentine Puppet Show by Maryjane a professional puppeteer!!!
TMJS V puppet show
Happy Valentines Day!!!
* if you shop Amazon Please always come to www.TheMaryJaneStyle.com to click Amazon Links Thank You Much!!!

How to glitter eyes ep#14



A fun durable eye decorum glitter eye shadow shimmers and pixy dust in eye shadow is fun but the design of glitter shine and detailed texture can add durability if you are engaging in high fashion and high impact simultaneously this might be a new fix for you use only cosmetic grade glitter from a makeup store or cosmetic line craft glitter has harsh cut edges that could cause serious damage to your lovely eye balls Mac glitter is good for example the glitter is manufactured not to damage or cut the eyes …how is the glitter going to stay ? Eye lash glue any brand or type of glue to attach false eye lashes you do want to select a clear drying eyelash adhesive
First apply your normal basic face then add false lashes (I do recommend this it helps keep excess glitter out of your eyes &glitter is dramatic so go all the way!) then have a cosmetic wet nap or baby wipe handy there are different brushes or mini spoon implements you could use but after numerous applications I feel a finger tip is best so step 1 place a thin line of eyelash glue just above false lash and then shape up in a standard V eye shadow shape or a line extending below the brow bone on the outer side of your eye lid place a finger tip in pot of glitter and place directly on glue and repeat until glue is covered in the desired shape … multiple colors or shapes are fun this makeup tutorial shows a basic 2 color style (the wet wipe is to clean glitter off of your finger or glue tip …and since glitter eyes is waterproof and smudge proof ,when you would like to remove it all peel off eyelashes from inside of eye out keeping eyes closed then place wet wipe on eyelid pat softly to moisten eyelid then softly feel glue roll up on eyelid and gently wipe I recommend wiping out away from your nose fold wipe to clean side and repeat until all glitter unglued then wash face in shower or as you usually would

TMJS HowTo Cabaret Ep#12

IMG_20131121_041210Teal and blue lovely eye shadow , I recommend MAC pigment powder or a strong eye shadow look for teal to marine to aqua or royal blue mixed with a light green plus white iridescent eye shadow for base eye shadow big lashes spike top lashes and spike bottom lashes or take a top lash and cut ½ or ¾ to place under your bottom lashes (if this is to much liquid liner can paint lower lash accents ruby lips and a classic beauty mark see photos to see how you can best adapt your choice of hair hat and wardrobe this is based on a burlesque performer


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Cabaret is a 1972 musical film a great film id recommend watching it’s a classic directed by Bob Fosse and starring Liza Minnelli, Michael York and Joel Grey. The film is set in Berlin during the Weimar Republic in 1931, under the ominous presence of the growing Nazi Party.
The film is loosely based on the 1966 Broadway musical Cabaret by Kander and Ebb, which was adapted from the novel The Berlin Stories (1939) by Christopher Isherwood and the 1951 play I Am a Camera adapted from the same book. Only a few numbers from the stage score were used for the film; Kander and Ebb wrote new ones to replace those that were discarded. In the traditional manner of musical theater, every significant character in the stage version of Cabaret sings to express emotion and advance the plot. In the film version, the musical numbers are entirely diegetic, taking place in the club, and just two of the film’s major characters (The Emcee and Sally) sing songs.

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A book that covers this time period is Voluptuous Panic the erotic world of Weimar Berlin(a racy informative yes of adult/sexual nature but it is history )

#8 TMJS HowTo 1930s Nylon+Fascism, A special tax stamp & Americas 1st female orgasm



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Fashion in 1930s was more conservative than that of the optimistic 1920s. 1930s was a return to a more feminine look for ladies. Women’s curves were no longer being de-emphasized and clothes returned to being near the natural waistline.
A lot happened, A few inventions …
The 1930s was the decade of the introduction of bra cup sizing.
Ballpoint Pen—– 1938 Hungary by Laszlo Biró – also called a biro (UK)
BBC Television—– 1932 England first regular TV broadcasts (London)
Electric Razor—– 1931 USA by Jacob Schick
Electron Microscope—– 1933 Germany by Ernst Ruska
Frequency Modulation FM —– 1939 USA by Edwin H Armstrong – sound by radio waves
Helicopter—– 1936 Germany by Heinrich Focke
Jet Engine—– 1930 England by Frank Whittle
Nylon—– 1931 USA by Wallace Corothers – artificial silk
Magnetic Recording—– 1936 USA audio tapes
Photocopier—– 1938 USA by Chester Carlson
Polaroid—– 1932 USA by Edwin Herbert Land
Radar (for Aircraft)—– 1935 Scotland by Robert Watson-Watt
Radio Telescope—– 1932 USA by Karl Jansky
Sticky Tape—– 1930 USA


At the same time there was turmoil …

The height of the Great Depression, more than a quarter million teenagers were living on the road in America, many criss-crossing the country by illegally hopping freight trains.
Shantytowns form consisting of wood and cardboard in the United States. They are often referred to in history as Hoovertowns after President Hoover.
The 30′s were a time when the depression caused by the wall street crash in late 1929 caused the world to undergo a fundamental change in lifestyles , and as part of the change some new radical politics became popular as seen in the rise of Fascism, Nazism, and Stalinism
The 30′s also provided a strange phenomenon never repeated where bank robbers and murderers were thought of as celebrities, just to rob and murder any who got in their way.

“If You Had 1 billion dollars then it would now be worth 12 billion dollars.”

In 1930 the average income per year was $1,970.00 and by 1939 was $1,730.00
In 1930 a gallon of gas was 10 cents and by 1939 was 10 cents
Quality silk lined hat $2.85
Steak 1938 1LB 20 cents ,
New Emerson Bedroom Radio 1938 $9.95
Example of a house for sale1934 Stucco Bungalow Oakland
California . 5 room stucco bungalow , breakfast room , separate garage, delightful location $3,750
Chevrolet 1935 Master DeluxeNew Master De luxe Chevrolet with improved master blue flame engine, pressure steam oiling , cable brakes and shock proof steering $560
1930′s when the airships LZ127 Graf Zeppelin and LZ129 Hindenburg operated regular transatlantic passenger flights between Germany and both North and South America.

Pop culture 1930’s
Weimar period, including cocaine, morphine, and opium. These three drugs were often used in conjunction with risky sex acts. Other drugs used in this period included ether, chloroform, and of course, copious amounts of alcohol.
1930, a many states outlawed marijuana. In 1931, Texas outlawed possession of the drug. The federal government effectively stopped the sale of marijuana in 1937 by enacting a law that required all marijuana to be sold with a special tax stamp. The government refused to issue any stamps, effectively outlawing the legal sale of the drug.
It has been argued that alcohol abuse in this period was even more dangerous to a person’s health, as many bootleggers sold dangerous liquids that were adulterated. It is worth noting, however, that rates of liver cirrhosis declined during this period.
Overall, the use of marijuana, alcohol, tobacco, cocaine, and heroin declined in America from the period 1920-1950. However, as is true today, more drug users were found on the margins of society. The decline affected the middle class first, and it was not long until the idea of the “loser junkie” formed in the American consciousness.
French administration in Saigon established the Opium Regime. This body allowed each country to have an opium monopoly. The result was that by 1930, Southeast Asia had 6,441 government opium dens that served 272 tons of opium.
heroin was integrated into the new cultural identity of the “hipster” first through the Harlem jazz scene in the 1930s
Abuse of the stimulant amphetamine began during the 1930s, when it was marketed under the name Benzedrine and sold in an over-the-counter inhaler.

The Film Wizard of OZ,
And 1st in film Hedy Lamar’s 1st film role in ecstasy, was Americas 1st female orgasm (in a non-pornographic film)
Gone with the Wind
Action Comics continued to grow and Superman is seen in a comic for the first time
The wearing of Sunglasses became popular in the 30′s
All of this doesn’t explain
the makeup this tutorial shows a original 1930’s almost heroin sheek-esk look I don’t believe they called it heroin sheek at the time with rough high on the cheek bone blending into deep eye shadow in a sexy smoke look rounded shadow on top of the eyelid with color spilling to outside the eye reign shadow under the eye blended into high blush , lips shaped as a bow fuller than the 1920s the top lip must have round heart to bow shape and lower lip full with a touch of emphasis in the center hair at the time was generally rolled in pin curls (not covered in this tutorial) the big bow in the hair replaces a hat a common fashion choice in 1930’s